THECA, the smallest gallery in the world, measures 165 x 120 x 55 cm. It is always open, day and night, every day of the year, in the heart of Milan, at 36 Via Federico Confalonieri, in the Isola district.
The phrase ‘Utopian Space’ is a contradiction in terms and, at the same time, a declaration of intent: it indicates a precise will to give space to projects, visions, experimentations, and challenges.
Does ‘small’ necessarily imply a ‘limit’? If consciously chosen, the limit becomes an opportunity, a challenge to common sense.
In an urban context of constant, bustling transit, THECA poses as an element of discontinuity: ‘a moment of suspension’.
THECA’s ambition is to become an unexpected encounter, an unmediated match. A proximity device where the artwork reveals itself as an authentic experience.
Amidst the jungle of new skyscrapers sprouting like mushrooms in Isola, THECA presents itself as a small treasure chest on the street: just one project at a time, always site-specific, on a roughly monthly basis.
THECA was born from the idea of an architect, Fabio Baccini, and an artist, Ferruccio Ascari, who have their respective studios in that 1930s building in Via Confalonieri.
The goal is to stimulate the involved artists to produce works conceived ad hoc for the micro-space of THECA. Artworks that will not only show themselves to the 'insiders', as usual, but will surprise the passerby, offering themselves to the gaze of a constantly evolving neighborhood.
Public art, in short. Without rhetoric or grandiosity.